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Rhythm and Signification

Temporalities of Musical and Social Meaning

Bibliographic Data

ID4881849
AuthorsIain Campbell (0000-0003-4501-9891), Peter Nelson (0000-0001-9163-5519)
Year2022
Volume27
Issue5
Pages56-78
Publication date2022-09-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAngelaki (JOURNAL)
Journal identifiersISSN: 0969-725X • E-ISSN: 1469-2899
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0969725x.2022.2110395
OpenAlexW4296480608
LanguageEN
Citations received1
References cited56

Rhythm is generally taken to refer to a temporal pattern of events. Yet in recent years, across diverse fields in the arts, humanities, and social sciences, it has come to serve as the conceptual marker for a wide range of new approaches to understanding relations and relationality, following most explicitly from the late work of Henri Lefebvre. This article explores the temporal aspect of such relational thinking, in particular asking how time is implicated in relations, and how it can be meaningful in those relations. The sense of time is surveyed from the perspectives of both cognition and metaphysics as well as with reference to music scholarship and social theory, and key threads are drawn, from the writings of Gaston Bachelard and Charles Sanders Peirce in particular, in order to suggest that time can be a sign, and that the signifying properties of rhythm have critical social consequences

Aesthetics · Art · Cognitive science · Epistemology · Metaphysics · Rhythm · Scholarship · Sign (mathematics · Sociology · The arts · Visual arts · Media, Communication, and Education · Music History and Culture · Neuroscience and Music Perception · Psychology · Philosophy

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Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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