Rhythm and Signification
Temporalities of Musical and Social Meaning
Bibliographic Data
| ID | 4881849 |
|---|---|
| Authors | Iain Campbell (0000-0003-4501-9891), Peter Nelson (0000-0001-9163-5519) |
| Year | 2022 |
| Volume | 27 |
| Issue | 5 |
| Pages | 56-78 |
| Publication date | 2022-09-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Angelaki (JOURNAL) |
| Journal identifiers | ISSN: 0969-725X • E-ISSN: 1469-2899 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0969725x.2022.2110395 |
| OpenAlex | W4296480608 |
| Language | EN |
| Citations received | 1 |
| References cited | 56 |
Rhythm is generally taken to refer to a temporal pattern of events. Yet in recent years, across diverse fields in the arts, humanities, and social sciences, it has come to serve as the conceptual marker for a wide range of new approaches to understanding relations and relationality, following most explicitly from the late work of Henri Lefebvre. This article explores the temporal aspect of such relational thinking, in particular asking how time is implicated in relations, and how it can be meaningful in those relations. The sense of time is surveyed from the perspectives of both cognition and metaphysics as well as with reference to music scholarship and social theory, and key threads are drawn, from the writings of Gaston Bachelard and Charles Sanders Peirce in particular, in order to suggest that time can be a sign, and that the signifying properties of rhythm have critical social consequences
Aesthetics · Art · Cognitive science · Epistemology · Metaphysics · Rhythm · Scholarship · Sign (mathematics · Sociology · The arts · Visual arts · Media, Communication, and Education · Music History and Culture · Neuroscience and Music Perception · Psychology · Philosophy
Peirce's Theory of Signs
Surfing Uncertainty
A Spinoza Reader
How Forests Think
On Musical Mediation
Zur Elektrodynamik bewegter Körper
Frame analysis
The “concept of time” and the “being of the clock”
From “Block-Things” to “Time-Things”
The memory of another past
Reassembling the Social
How Forests Think
The Logic of Practice
Peirce’s Reception in France
Critical Time
Ferry Tales
In the Meantime
We Have Never Been Modern
Being Together in Time
Beyond Representation and Signification
The Embodied Mind
Tempus ex Machina
Music, Mediation Theories and Actor-Network Theory
Toward a New Organology
Valency-Actuality-Meaning
Linguistics and Grammatology
Time, Work-Discipline, and Industrial Capitalism
Sound studies without auditory culture
Structuralism
Rhythm Returns
Michel Serres's Leibnizian Structuralism
The Measurement of Music and the Cerebral Clock
The Invention of African Rhythm
The Perception of the Environment
Time
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |