White Noise,écriture Blanche
Bibliographic Data
| ID | 4882318 |
|---|---|
| Authors | William S Allen (0000-0002-4731-2955, Hartley Library University of Southampton Highfield Southampton SO17 1BJ UK) |
| Year | 2018 |
| Volume | 23 |
| Issue | 3 |
| Pages | 28-41 |
| Publication date | 2018-05-04 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Angelaki (JOURNAL) |
| Journal identifiers | ISSN: 0969-725X • E-ISSN: 1469-2899 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0969725x.2018.1473925 |
| OpenAlex | W2806808122 |
| Language | FR |
| Citations received | 1 |
| References cited | 7 |
Le Dernier Homme is Blanchot’s last narrative or récit. Afterwards, he would begin to write in a more fragmentary mode, which suggests that he may have felt that the narrative form had been pushed as far it could in this work. This point of extremity is marked in particular by the monotonous style for which he has become notorious. This essay examines why this style arises, and how it leads to an extreme that can be usefully contrasted with Barthes’s notion of écriture blanche (“blank” writing). It becomes apparent that the blankness of this writing is not innocent but arises as noise for Blanchot, which not only manifests the material attenuation of the narrative but also its relation with the dead
Art · Blank · Humanities · Literature · Mode (computer interface · Narrative · Relation (database · Style (visual arts · White (mutation · Computer Science · French Literature and Criticism · French Literature and Poetry · Historical Studies and Socio-cultural Analysis · Materials Science · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |