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The Theatre and Its Screen Double

Bibliographic Data

ID4884801
AuthorsJohannes Birringer (0000-0003-0914-0598, corresponding author)
Year2014
Volume66
Issue2
Pages207-225
Publication date2014-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2014.0052
OpenAlexW2042679529
LanguageEN
References cited7

This essay offers a close exploration of the live filming and sound production in the schaubühne berlin staging of strindberg's Fräulein Julie (directed by Katie Mitchell, shown on tour at the barbican, london, in 2012). It provides a series of theoretical and critical angles from which to discuss contemporary intermedia performance and audiovisual scenography. After a brief evocation of Artaud's writings in "theatre and cruelty" and on raw cinema, the essay builds on a historical understanding of Western theatre's evolving and hardly settled relationship to cinematography and moving-image technologies, as well as the "choreographic unconscious," as examined in contemporary dance and technology, before delving into an analysis of Mitchell's dramaturgy of real-time film construction and her use of the "camera-actor." A particular emphasis is placed on the question whether the live mediatization of realist drama, under Mitchell's direction, deliberately weakens the theatricality of the physical body and spoken language while proffering an extenuated, if uncritical/unpolitical modulation of digital prosthetics in a superbly crafted, seamless intermedial performance

Aesthetics · Art · Art history · Cinematography · Cruelty · Dance · Drama · Dramaturgy · Evocation · Literature · Movie theater · Scenography · Sociology · Unconscious mind · Visual arts · Cinema and Media Studies · Philosophy · Theatre and Performance Studies · Visual Culture and Art Theory

  • On Chinese Acting

    Open Access•Bertolt Brecht, Barnard Hewitt et al.•The Tulane Drama Review•1961

  • Unmarked

    Peggy Phelan•Unmarked•1993

  • A Thousand Machines

    Daniel Tércio•The European Legacy•2013

  • Theatre, Theory, Postmodernism

    Michael Vanden Heuvel, Johannes Birringer•Theatre Journal•1994

  • Cinema I

    Gilles Deleuze•Cinema I•1986

Citation velocityhistorical
Highly citedNo

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