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"Writing as a "Sie

Reflections on Barbara Köhler's Odyssey Cycle Niemands Frau

Bibliographic Data

ID4885949
AuthorsGeorgina Paul (St Hilda's College, University of Oxford, Oxford OX4 1DY, UK)
Year2017
Volume22
Issue1
Pages289-295
Publication date2017-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAngelaki (JOURNAL)
Journal identifiersISSN: 0969-725X • E-ISSN: 1469-2899
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0969725x.2017.1286045
OpenAlexW2595178119
LanguageEN

The German poet Barbara Köhler's 2007 poem-cycle Niemands Frau [Nobody's Wife] is more than a feminist response to Homer's Odyssey. In shifting the focus from the escapades of the hero Odysseus to the web of women characters that populates Homer's epic poem – Nausicaa, Circe, the Sirens, Helen, Ino Leucothea, the shades of the dead women whom Odysseus meets in Hades, and “Nobody’s wife” Penelope – Köhler also undertakes a grammatical shift: from the masculine singular pronoun “er” to the polyvalent pronoun “sie” that denotes the feminine singular, the gender-unmarked plural and the formal “you.” “Sie” acts as the “quantum linguistic particle” that transports the reader from a world analogous to that conceived by Newtonian physics into a quantum universe of plural probabilities. Köhler's work explores the difference in power dynamics that results from this transformation, generating intriguing ways of reconceiving subjectivity, relationality, rationality, and authorship. Taken at their word, the poems open up a prospect of no longer insisting on the sovereign individual subject and his linear modes of narration, inheritance, calculation and grammatical proposition

Art · HERO · Linguistics · Literature · Narrative · nobody · Plural · Poetry · Subject (documents · Theology · Wife · Gender Studies in Language · Linguistic research and analysis · Philosophy

Citation velocityhistorical
Highly citedNo

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