Compositional Procedures inTensio
Bibliographic Data
| ID | 4887987 |
|---|---|
| Authors | Philippe Manoury (Russian State Agrarian Correspondence University, corresponding author) |
| Year | 2013 |
| Volume | 32 |
| Issue | 1 |
| Pages | 61-97 |
| Publication date | 2013-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494467.2013.774514 |
| OpenAlex | W2052665053 |
| Language | EN |
| Citations received | 4 |
I often think of Tensio for string quartet and real-time electronics as my most experimental work to date. Not since my early work with real-time during the 1980s, with Jupiter and Pluton, have I made such significant use of new and experimental techniques in the conception and composition of a new work. The bulk of the research was undertaken with Gilbert Nouno, who created the electronics and fine-tuned the majority of the work's new techniques, and Arshia Cont, whose recent research was a significant influence. Miller Puckette's contribution, in particular in the field of new procedures of synthesis, was also significant. In this article, I propose to provide an overview of these new synthesis tools, which are at the core of a good deal of this quartet; I will also endeavour to provide a theoretical perspective on their relationship to the instrumental writing
Art · Electrical engineering · Electronics · Engineering ethics · Epistemology · Literature · Miller · Sociology · Visual arts · Computer Science · Diverse Musicological Studies · Engineering · Mathematics · Music Technology and Sound Studies · Musicology and Musical Analysis · Philosophy · Artificial Intelligence · Mechanical Engineering
| Citations per year | 0.57 |
|---|---|
| Citation span | 2019 - 2022 (4) |
| Highly cited | No |