Turning Points
Has Ethnomusicology Lost Its Way
Bibliographic Data
| ID | 4891896 |
|---|---|
| Authors | Mervyn Mclean (corresponding author) |
| Year | 2007 |
| Volume | 39 |
| Pages | 132-139 |
| Publication date | 2007-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Yearbook for Traditional Music (JOURNAL) |
| Journal identifiers | ISSN: 0740-1558 • E-ISSN: 2304-3857 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0740155800006706 |
| OpenAlex | W2505667318 |
| Language | EN |
| Citations received | 3 |
| References cited | 6 |
As some readers may know, I have recently published a book entitled Pioneers of Ethnomusicology. In it I try to answer the questionsWhat were the events that led to the emergence of ethnomusicology? Who were the prime movers? What motivated them? What influences were brought to bear on them, and what were the consequences? (McLean 2006: 11
Art · Ethnomusicology · Musical · Sociology · Visual arts · Diverse Musicological Studies · History · Music History and Culture · Musicology and Musical Analysis
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2009 - 2022 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |