Environmental Authenticity
Constructing Nature in Postindustrial Parks
Bibliographic Data
| ID | 4897237 |
|---|---|
| Authors | Kevin Loughran (0009-0005-1549-8942) |
| Year | 2024 |
| Volume | 47 |
| Issue | 3 |
| Pages | 441-463 |
| Publication date | 2024-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Qualitative Sociology (JOURNAL) |
| Journal identifiers | ISSN: 0162-0436 • E-ISSN: 1573-7837 |
| Publisher | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/s11133-024-09570-0 |
| OpenAlex | W4401203840 |
| Language | EN |
| References cited | 65 |
If nature is socially constructed, how do cultural producers construct it? Few social spaces materialize social constructions of nature as powerfully and as directly as parks, which represent cultural beliefs about nature's form and function. This paper considers how landscape architects and other social actors involved in creating contemporary urban park landscapes think about nature and decide how to represent it through cultural objects. Drawing on the analysis of three case studies - New York's High Line, Chicago's Bloomingdale Trail/606, and Houston's Buffalo Bayou Park - I consider the aesthetic judgments that cultural producers make about nature when designing and placing value on park landscapes. I find that in the cultural conditions of the twenty-first century, three aesthetic judgments prevail, converging to create a particular vision of nature that is both highly valued and tightly linked to racialized currents of cultural and economic capital. These aesthetic judgments prize nature as local, wild, and imbricated with urban space. They structure what I term "environmental authenticity": the idea that socially valued forms of nature are rooted in classical understandings of a socially unmediated, nonhuman nature whose agency in creating landscapes is minimally violated by obvious human cultivation and that exists, seemingly organically, in postindustrial settings. Judgments about environmental authenticity, I argue, are centrally about who has the power to shape landscapes
Aesthetics · Agency (philosophy · Construct (python library · Cross-cultural psychology · Environmental ethics · Epistemology · Function (biology · Political science · Post-industrial society · Social science · Sociocultural evolution · Sociology · Value (mathematics · Anthropology · Culinary Culture and Tourism · Geographies of human-animal interactions · Law · Philosophy · Social and Cultural Dynamics
Loft living
Landscape and ideology
Landscapes of Hope
The Politics of Park Design
Privilege
Natura Urbana
Foodies
Creating Country Music
Neo-Bohemia
Money, Morals, and Manners
Quantitative Inquiry in the Early Sociology of W. E. B. Du Bois
The city as an entertainment machine
A Neighborhood That Never Changes
The Long Crisis
How Green Became Good
Routledge Handbook of Cultural Sociology
Naked City
Cultures and Societies in a Changing World
The Rules of Art
Postscript
Memory Politics
Revisiting the End of Public Space
The Neighborhood in Cultural Production
Slow violence in public parks in the U.S
A bloody offal nuisance
What Is Indie Rock
We're not in the business of housing
A Methodological Framework for the Sociology of Culture
Why does everyone think cities can save the planet
Urban parks and urban problems
The Trouble with Wilderness
The Iron Cage Revisited
Changing Highbrow Taste
Race and the construction of city and nature
Post-Industrial Imaginaries
Urbanizing Urban Political Ecology
Objects, Words, and Bodies in Space
Making the City of Lakes
Green and Gray
(De)constructing distinction
Morel Tales
Renaissance Revivals
Foodies of Color
Beyond Distinction
From Sombreros to Sincronizadas
Imbricated Spaces
Three Ecologies
Beyondterroir
The City as a Growth Machine
Consuming Authenticity
Bird in hand
How culture works
| Citation velocity | historical |
|---|---|
| Highly cited | No |