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Tropes of Longing and Belonging

Nostalgia and Musical Instruments in Northeast Arnhem Land

Bibliographic Data

ID4897293
AuthorsP G Toner (corresponding author)
Year2005
Volume37
Pages1-24
Publication date2005-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueYearbook for Traditional Music (JOURNAL)
Journal identifiersISSN: 0740-1558 • E-ISSN: 2304-3857
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0740155800011206
OpenAlexW4292170531
LanguageEN
Citations received3
References cited14

In the musical traditions of the Yolngu of northeast Arnhem Land, in northern Australia, the evocation of ancestrally-significant places is of primary ideological and aesthetic importance. This is primarily done through song texts, when a singer "paints a picture" of a place in the mind's eye of the audience; when done with great skill, such evocation can produce strong feelings of nostalgia as listeners recall those places and the personal and ancestral events which took place there. Musical instruments can also be used in this way, either through tropes in the song texts, which make reference to the instrument and its ancestral significance, or through the actual sound of the instrument as an enacted trope during the musical performance itself. In either case, the mention or use of musical instruments can resonate powerfully with ideas about ancestors, people and places, making musical instruments important symbols in Yolngu culture

Acoustics · Aesthetics · Art · Evocation · Feeling · Ideology · Literature · Musical · Musical instrument · Politics · Visual arts · Anthropological Studies and Insights · Cultural Heritage Management and Preservation · Diverse Musicological Studies · History · Psychology · Social Psychology

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Unique citing works3
Citations per year0,16
Citation span2007 - 2014 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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