The Paradigm of Deduction
Bibliographic Data
| ID | 4898699 |
|---|---|
| Authors | Birgit Pelzer (BIRGIT PELZER is Emeritus Professor of Modern Aesthetics and Philosophy at the Écoles supérieures d'arts plastiques St-Luc et Erg, Brussels., corresponding author) |
| Year | 2014 |
| Volume | 149 |
| Pages | 199-201 |
| Publication date | 2014-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/octo_a_00191 |
| OpenAlex | W2109782608 |
| Language | EN |
If called upon to define Michael Asher's work here, I would have trouble succinctly describing the singularity of his place in the art scene of his time. His work, both ephemeral and without commercial production, rigorously resists standard formulas and recognizable labels
Aesthetics · Algorithm · Art · Calculus (dental · Ephemeral key · Epistemology · Geometry · Mathematical economics · Singularity · Work (physics · Aesthetic Perception and Analysis · Art, Technology, and Culture · Computer Science · Engineering · Mathematics · Philosophy · Mechanical Engineering
| Citation velocity | historical |
|---|---|
| Highly cited | No |