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Falling dance

Hijikata's recomposition of the body via Bacon

Bibliographic Data

ID4898844
AuthorsFusako Innami (0000-0002-2364-7363, Durham University, corresponding author)
Year2021
Volume16
Issue1
Pages1-15
Publication date2021-01-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Senses and Society (JOURNAL)
Journal identifiersISSN: 1745-8927 • E-ISSN: 1745-8935
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17458927.2021.1874142
OpenAlexW3137616653
LanguageEN
Citations received1
References cited11

The themes of transformation, indefinite form, and disintegration haunt the work of many post-World War II artists, who had witnessed the animality of human beings as well as the depths to which human beings can fall in wartime. This paper looks at falling as an artistic and phenomenological practice of the body in the work of the Japanese butoh dancer Tatsumi Hijikata, whose notations refer in places to the work of the Irish-born British painter Francis Bacon and offer new bodily lexicons with which to graph the movement of falling. Drawing explicitly on Bacon and using cross-media collage to produce movement, a body in Hijikata could be deformed or made formless onto the ground. In falling, inhabiting and simultaneously vacating oneself, the body makes contact with a surface and leaves or exteriorizes a graphic mark, visual, and performative, in its wake. This attention to falling was part of an ongoing process at the rise of phenomenological boom in postwar Japan by which artists attempted to understand and recompose the kind of body that could inhabit the nuclear age

Aesthetics · Art · Art history · Dance · Epistemology · Falling (accident · Irish · Literature · Movement (music · Painting · Performative utterance · Phenomenology (philosophy · Art Education and Development · Diversity and Impact of Dance · Philosophy · Psychology · Theatre and Performance Studies

  • Body (of) Knowledge

    Open Access•Alice Bethany Susan Baldock•The Journal of Asian Studies•2022

  • Exhausting Dance

    André Lepecki•Exhaust Dance Perf and Pol Move•2006

  • Contemporary Japanese Thought

    Richard F Calichman, Richard Calichman•Contemporary Japanese Thought…•2005

  • Hijikata Tatsumi and Butoh

    Open Access•Bruce Baird•Hijikata Tatsumi and Butoh•2012

  • The Body in Postwar Japanese Fiction

    Douglas Slaymaker•Body in Postwar Japanese Fiction•2004

  • Introduction

    Kurihara Nanako•TDR/The Drama Review•2000

  • Eikoh Hosoe

    Darwin Marable•History of Photography•2000

  • Writing Ground Zero

    Millie Creighton, John Whittier Treat•Pacific Affairs•1996

Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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Open DOIOpen Access
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