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How do you patent a landscape? The perils of dichotomizing cultural and intellectual property

Bibliographic Data

ID4898924
AuthorsRl Barsh (University of Lethbridge, corresponding author)
Year1999
Volume8
Issue1
Pages14-47
Publication date1999-01-01
Open AccessYes
TypeARTICLE
VenueInternational Journal of Cultural Property (JOURNAL)
Journal identifiersISSN: 0940-7391 • E-ISSN: 1465-7317
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0940739199770608
OpenAlexW2152415264
LanguageEN
Citations received9

For a variety of conceptual, historical, and political reasons, contemporary international law distinguishes between 'natural' land forms, cultural monuments, movable cultural property, the performing arts, and scientific knowledge. Indigenous peoples do not make these distinctions. Rather, they tend to regard landscapes as inherently cultural products in which artworks, literature, performances, and scientific-knowledge systems are inextricably embedded. Scientific knowledge must periodically be rehearsed within the landscape in recitations and performances that remember the historical process by which people and their nonhuman kinfolk constructed the landscape. Detaching specific cultural or scientific 'objects' from the landscape and commodifying them, as is contemplated by most current proposals for protecting indigenous peoples' rights, will undermine the indigenous institutions and procedures necessary for perpetuating the quality and validity of local knowledge

Archaeology · Cultural heritage · Cultural knowledge · Cultural landscape · Cultural property · Environmental ethics · Epistemology · Geography · Indigenous · Intellectual property · Political science · Politics · Property (philosophy · Social science · Sociology · Sociology of scientific knowledge · The arts · Traditional knowledge · Intellectual Property and Patents · International Maritime Law Issues · Law · Philosophy · Ecology

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Citations per year0.43
Citation span2005 - 2023 (19)
Highly citedNo

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