Andy Warhol's Deaths and the Assembly-Line Autobiography
Bibliographic Data
| ID | 4903133 |
|---|---|
| Authors | Charles Reeve (Ontario College of Art and Design, corresponding author) |
| Year | 2011 |
| Volume | 34 |
| Issue | 4 |
| Pages | 657-675 |
| Publication date | 2011-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Biography (JOURNAL) |
| Journal identifiers | ISSN: 0162-4962 • E-ISSN: 1529-1456 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/bio.2011.0066 |
| OpenAlex | W2082624548 |
| Language | EN |
| References cited | 5 |
By examining Andy Warhol's autobiographical publications in relation to his other literary and artistic production, his entourage's memoirs, and the larger historical/cultural context, this article shows that he constructed his written self as a precursor to coming notions of the distributed, fragmented and saturated subject
Archaeology · Art · Art history · Assembly line · Biography · Context (archaeology · Library science · Line (geometry · Literature · Memoir · Relation (database · Subject (documents · Art, Politics, and Modernism · Artistic and Creative Research · Cinema and Media Studies · Computer Science · Engineering · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |