Towards A 'Logic of Discontinuity' in Stravinsky's 'Symphonies of Wind Instruments
Hasty, Kramer and Straus Reconsidered
Bibliographic Data
| ID | 4907563 |
|---|---|
| Authors | Alexander Rehding (corresponding author) |
| Year | 1998 |
| Volume | 17 |
| Issue | 1 |
| Pages | 39 |
| Publication date | 1998-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Music Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/854370 |
| OpenAlex | W2332474752 |
| Language | EN |
| Citations received | 7 |
Art · Literature · Mathematical analysis · Symphony · Mathematics · Music Technology and Sound Studies · Musicology and Musical Analysis · Poetry Analysis and Criticism
Reading the Musical Surreal through Poulenc's Fifth Relations
Chanel, Stravinsky, and Musical Chic
Scriabin’s Lisztian-Stravinskian Sonata Forms
Temporal Disruptions in Debussy's and Ravel's Programmatic Sonatas
Eternity in Each Moment
Plotting the path, prolonging the moment
Formal negativities, breakthroughs, ruptures and continuities in the music of Modest Mouse
| Unique citing works | 7 |
|---|---|
| Citations per year | 0,28 |
| Citation span | 2001 - 2025 (25) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 7 |