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Feeling for Beauty

Tactile Aesthetics and the Childhood of May Morris

Bibliographic Data

ID4907652
AuthorsWendy Parkin, Wendy Parkins (University of Kent, corresponding author)
Year2015
Volume10
Issue1
Pages26-38
Publication date2015-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Senses and Society (JOURNAL)
Journal identifiersISSN: 1745-8927 • E-ISSN: 1745-8935
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.2752/174589315x14161614601646
OpenAlexW234234339
LanguageEN
References cited8

May Morris (1862-1938), renowned craftswoman and daughter of William Morris, had an unconventional Victorian childhood in a home where all the members of the family were engaged in various forms of aesthetic labor, either as amateurs or professionals, and shared an aesthetic philosophy that blended the artisanal and the experimental from which would develop the Arts and Crafts movement. This article will examine the fragmentary recollections of her childhood recorded by May Morris in the introductions she wrote for the twenty-four-volume edition of The Collected Works of William Morris as a rich resource for Victorian sensory history because of the emphasis she places on the development of the child's sensorium, especially in relation to touch as the vital sense that linked family intimacy with creative activity. Employing the term “tactile aesthetics,” I show how, in the Morris household, the pleasurable sensual apprehension of the objects or materials worked by the hands of the craftsperson was inseparable from the complex feelings of connection with others. In such an environment, a feeling for beauty comprised a vital component of habitus, the embodied knowledges and aptitudes that, according to Pierre Bourdieu, are acquired from earliest childhood through the practices of everyday life within a specific social setting

Aesthetics · Apprehension · Art · Beauty · Embodied cognition · Epistemology · Ethnography · Feeling · Habitus · Pleasure · Sociology · The arts · Visual arts · Anthropology · Art Education and Development · Diversity and Impact of Dance · Philosophy · Posthumanist Ethics and Activism · Psychology · Social Psychology

  • Jane Morris

    Open Access•Wendy Parkins•Jane Morris The Burden Of History•2013

  • The Deepest Sense

    Constance Classen•The deepest sense•2012

  • The Senses of Touch

    Mark Paterson•The Senses of Touch•2007

  • Transitional objects and transitional phenomena 1 —a study of the first not-me possession 2

    Donald W Winnicott•2018

  • Feeling at Home

    Wendy Parkins•Journal of Victorian Culture•2010

  • The International Journal of Psychoanalysis

    Open Access•Dana Birksted‐Breen, R Michels•The International Journal of…•2007

  • Touching Feeling

    Eve Kosofsky Sedgwick, Michele Aina Barale et al.•Touching Feeling•2003

Citation velocityhistorical
Highly citedNo

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