Dreaming and the cinema of David Lynch
Bibliographic Data
| ID | 4911341 |
|---|---|
| Authors | Kelly Bulkeley (0000-0002-3714-6287) |
| Year | 2003 |
| Volume | 13 |
| Issue | 1 |
| Pages | 49-60 |
| Publication date | 2003-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Dreaming (JOURNAL) |
| Journal identifiers | ISSN: 1053-0797 • E-ISSN: 1573-3351 |
| Publisher | American Psychological Association (APA) (PUBLISHER) |
| DOI | 10.1023/a:1022190318612 |
| OpenAlex | W1966535582 |
| Language | EN |
| Citations received | 3 |
This essay explores the influence of dreams and dreaming on the filmmaking of DavidLynch. Focusing particular attention on Mulholland Drive (2001), Lost Highway (1997), Blue Velvet (1986), and the television series Twin Peaks (1990–91), the essay will discuss the multiple dream elements in Lynch's work and how they have contributed to the broad cultural influence of his films. Lynch's filmmaking offers an excellent case study of the powerful connection between dreaming and movies in contemporary American society
Art · Art history · Movie theater · Psychoanalysis · American Political and Social Dynamics · Music History and Culture · Musicology and Musical Analysis · Psychology
| Citations per year | 0.16 |
|---|---|
| Citation span | 2007 - 2017 (11) |
| Highly cited | No |