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Going Through the Motions

Popular Music Performance in Journalism and in Academic Discourse

Bibliographic Data

ID4915424
AuthorsTim Quirk, Jason Toynbee
Year2005
Volume24
Issue3
Pages399-413
Publication date2005-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143005000590
OpenAlexW1969325733
LanguageEN
Citations received1
References cited4

popular music performance raises important questions about music-making as process. these questions are addressed through dealing with a further issue: the difference between music journalism and academic discourse on music. a dialogic structure is adopted. first, in a short paper, tim quirk examines film of the who playing at the isle of wight in 1970. he shows how pete townshend's performance moves through a cycle, from incompetence to the extraordinary: paradoxically, formulaic performance prompts sincerity (and so an extraordinary performance) on the part of townshend. jason toynbee responds by arguing that quirk's writing is able to open up, as journalism, an approach to performance not available to academics. what is at stake is the foregrounding of subjectivity in the writer (quirk) and, through this, the inter-subjectivity of performer and audience. quirk's own response follows, and there is then a second round of responses which develops these issues

Aesthetics · Art · Dialogic · Epistemology · Foregrounding · Journalism · Literature · Media studies · Pedagogy · Performing arts · Popular music · Rhetorical question · Sincerity · Sociology · Subjectivity · Visual arts · Artistic and Creative Research · Music History and Culture · Music Technology and Sound Studies · Philosophy · Psychology · Social Psychology

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Unique citing works1
Citations per year0,07
Citation span2011 - 2011 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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