We'll Stop When the Earth Starts Roaring. The East DRC artists confronting the social and environmental crises caused by extraction
Bibliographic Data
| ID | 4915747 |
|---|---|
| Authors | Marynet J, J Marynet (corresponding author) |
| Translators | Phœbe Hadjimarkos Clarke |
| Year | 2023 |
| Volume | 61 |
| Pages | 105-144 |
| Publication date | 2023-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.109561 |
| OpenAlex | W4389483242 |
| Language | EN |
Marlène Rabaud, Congo Lucha (captures), 2019. Courtesy of the artist In the Democratic Republic of Congo [DRC], two regions are at the heart of international technological speculation: Katanga and Kivu. These two provinces have diverse cultures, histories and infrastructures, but they are also the country’s largest reserves of copper, cobalt, lithium and tantalum, which high-tech industries depend on for the production of batteries, circuits, capacitors and superalloys. Over the past centur
Art · Astronomy · Artistic and Creative Research · Chemistry · Cultural Heritage Management and Preservation · History · Museums and Cultural Heritage
| Highly cited | No |
|---|