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We'll Stop When the Earth Starts Roaring. The East DRC artists confronting the social and environmental crises caused by extraction

Bibliographic Data

ID4915747
AuthorsMarynet J, J Marynet (corresponding author)
TranslatorsPhœbe Hadjimarkos Clarke
Year2023
Volume61
Pages105-144
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueCritique d’art (JOURNAL)
Journal identifiersISSN: 1246-8258 • E-ISSN: 2265-9404
PublisherOpenEdition (PUBLISHER)
DOI10.4000/critiquedart.109561
OpenAlexW4389483242
LanguageEN

Marlène Rabaud, Congo Lucha (captures), 2019. Courtesy of the artist In the Democratic Republic of Congo [DRC], two regions are at the heart of international technological speculation: Katanga and Kivu. These two provinces have diverse cultures, histories and infrastructures, but they are also the country’s largest reserves of copper, cobalt, lithium and tantalum, which high-tech industries depend on for the production of batteries, circuits, capacitors and superalloys. Over the past centur

Art · Astronomy · Artistic and Creative Research · Chemistry · Cultural Heritage Management and Preservation · History · Museums and Cultural Heritage

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