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Fictionality

Datos Bibliográficos

ID4915930
AutoresKarin Kukkonen (0000-0001-5240-3280, University of Oslo), Henrik Skov Nielsen (0000-0001-9301-023X, Aarhus University)
Año2018
Volumen39
Número3
Páginas473-494
Fecha de publicación2018-09-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaPoetics Today (JOURNAL)
Identificadores de la revistaISSN: 0333-5372 • E-ISSN: 1527-5507
EditorialDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-7032704
OpenAlexW2894515600
IdiomaEN
Citas recibidas5
Referencias citadas29

Cognitive and unnatural approaches to literature take very different stances on the issue of fictionality. While cognitive approaches consider everyday nonfictional and literary fictional narratives to highlight their similarities, unnatural approaches to narrative stress the exceptionality of the fictional. This article investigates disagreements and potential points of mutual interest in a dialogue between Henrik Skov Nielsen, representing unnatural narratology, and Karin Kukkonen, representing second-generation cognitive narratology. The dialogue develops through close readings of Ian McEwan’s On Chesil Beach and Hilary Mantel’s Beyond Black. In a first step, Nielsen defines fictionality for unnatural approaches to fiction as “invention.” Kukkonen argues that there are many mental operations that qualify as invented, such as thought experiments and flights of the imagination, but that do not yet amount to fiction. To arrive at a cognitive definition of fictionality, she proposes to revisit Wolfgang Iser’s notion of fiction as an “articulated gestalt” in the light of recent embodied and predictive approaches. In a second step, we discuss the so-called exceptionality thesis. The issue at stake here is whether fictional texts are fundamentally dependent on our general cognitive capacities (a position traditionally held by cognitive narratology) or fundamentally depart from everyday modes of thinking. We revisit the debate in light of the unnatural definition of fictionality as invention and the cognitive perspectives gained through embodied and predictive approaches and arrive at the position that the exceptional does not necessarily defy the cognitive

Language, Metaphor, and Cognition · Media Influence and Health · Narrative Theory and Analysis · Philosophy

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    Open Access•Merja Polvinen, Holly Sklar et al.•Cogent Arts and Humanities•2019

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    Open Access•Sam Browse, Alison Gibbons et al.•Narrative Inquiry•2019

  • The “dissolving margins” of Elena Ferrante and the Neapolitan novels

    Open Access•Alison Gibbons•Narrative Inquiry•2019

  • Mimesis as make-believe

    Kendall L Walton•Mimesis as make-believe•1990

  • The Experientiality of Narrative

    Marco Caracciolo•The experientiality of narrative•2014

  • Towards a 'Natural' Narratology

    Monika Fludernik•Towards a 'Natural' Narratology•2002

  • The Distinction of Fiction

    Dorrit Cohn•The distinction of fiction•2000

  • The Nature of Fiction

    Open Access•Gregory Currie•Nature of Fiction•1990

  • Storytelling and the Sciences of Mind

    David Herman•Storytelling and the Sciences of…•2013

  • Transparent Minds

    Dorrit Cohn, Dorrit Claire Cohn•Transparent Minds•1978

  • The Fictive and the Imaginary

    Wolfgang Iser•The fictive and the imaginary•1993

  • Reading Literary Fiction Improves Theory of Mind

    Open Access•David Kidd, David Comer Kidd et al.•Science•2013

  • The Brain's Default Mode Network

    Marcus E Raichle•Annual Review of Neuroscience•2015

  • Towards a ‘Natural’ Narratology

    Monika Fludernik•Journal of Literary Semantics•1996

  • The Literary Designer Environments of Eighteenth-Century Jesuit Poetics

    Karin Kukkonen•Distributed Cognition in…•2019

  • Beyond Other Minds

    Marco Caracciolo•Journal of Narrative Theory•2014

  • Active inference, enactivism and the hermeneutics of social cognition

    Open Access•Shaun Gallagher, Micah Allen•Synthese•2018

  • Getting into predictive processing’s great guessing game

    Open Access•Daniel D Hutto•Synthese•2018

  • Defaulting to Fiction

    Alan Richardson•Poetics Today•2011

  • New Wine in Old Bottles? Voice, Focalization and New Writing

    Monika Fludernik•New Literary History•2001

Obras citantes distintas5
Citas por año0,71
Intervalo de citas2019 - 2026 (8)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 5
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