Generic Composition in Greek and Roman Poetry
Bibliographic Data
| ID | 4915972 |
|---|---|
| Authors | Kenneth Quinn |
| Year | 1973 |
| Volume | 27 |
| Issue | 4 |
| Pages | 403 |
| Publication date | 1973-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | REVIEW |
| Review of | Generic composition in Greek and Roman poetry, Francis Cairns, 2008 |
| Venue | Phoenix (JOURNAL) |
| Journal identifiers | ISSN: 0031-8299 • E-ISSN: 1929-4883 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1087815 |
| OpenAlex | W1993987516 |
| Language | EN |
Original in conception and powerful in scope, Generic Composition in Greek and Roman Poetry remains one of the most important books on early Greek, Hellenistic and Roman poetry in a generation. First published in the philological climate of the early 1970s, Francis Cairns' book was among the first works that sought to further our comprehension of difficult or obscure ancient poems by applying new literary-critical conventions and terminology, notably the concept of genre. Ancient literary studies have grown more sophisticated over the last years, and Generic Composition in Greek and Roman Poetry now finds itself very much in the midst of current debates. The new edition includes a new Postscript by the author, and important corrections to the text, notes, and indices. The original publisher remarked, This is the first serious attempt to formulate a system of literary criticism for ancient poetry, derived wholly from ancient evidence. It is based on methods of generic analysis, assignment and interpretation applicable to all Greek and Roman poetry. It outlines what the author deduces are the creative principles informing ancient poets' approach to their subject matter, and establishes criteria that enable an objective discussion of the poems' originality and merit. Generic Composition in Greek and Roman Poetry examines uses of topoi and categories of genres, and offers detailed and insightful interpretations of many individual poems in both languages. It also highlights five specific generic sophistications, among them inversion and inclusion. The work is accompanied by extensive notes and indices, together with translations of the original texts that make it accessible and valuable to classicists and non-classicists alike. One of the great contributions of Francis Cairns' work has been firmly to move the study of ancient poetry away from the realm of fictive literary biography, while grounding critical analysis in the techniques that were employed by ancient authors to create meaning
Art · Composition (language · Literature · Poetry · Philippine History and Culture · Poetry Analysis and Criticism · Translation Studies and Practices
A Festa de Saturno
O som e a fúria
Marcial, Meleagro e alguns Tópoi do Epigrama
The Cambridge History of Classical Literature
Epic Inclusivity
Intra‐Epic Debate
On Not Being Archilochus
Lyric Flexibility
Ambition to Rise
Beyond Pastoral? Generic Pressures in Vergil's Eclogues
Introduction
The Genre of Acts and Collected Biography
Latin Criticism of the Early Empire
The Cambridge History of Classical Literature
Comedy
Biography
The new direction in poetry
Lucan
Oratory
Italy and Rome from Sulla to Augustus
From Nero to Vespasian
Monarchies and monarchic Ideas
Feminine Endings, Lyric Seductions
Political history, 30 B.C. to A.D. 14
The triumviral period
The place of religion
Militia amoris
The Aeneid
Horace
Russian elegists and Latin lovers in the long eighteenth century
The Administration of Justice
The growth of literature and criticism at Rome
Provincial administration and taxation
Horace's Birthday and Deathday
Breaking the rules
Hellenistic poetry
Dreaming About Quirinus
Latin love elegy in Late Antiquity
Caesar
Caius Cornelius Gallus
Ovid the love elegist
Elegy and iambus
The Uniqueness of the Carmen Saecvlare and Its Tradition
The Senate and senatorial and equestrian posts
A Wine-Jar for Messalla
Homer
Greek elegy
Monody
Rome and its development under Augustus and his successors
Rhetoric and scholarship
History
Poetry, Philosophy, Politics and Play
Augustus
Loves and elegy
Solvs Sapiens Liber Est
The formation of the Hellenistic kingdoms
Translation and imitation of classical elegy in the French eighteenth century
Macedonia and the Greek leagues
Latin precursors
Greece (Including Crete and Cyprus) and Asia Minor From 43 b.c. To a.d. 69
Historiography
Theocritus and Virgil
Dithyrambic Iambics
The Latin elegiac couplet
Minor poetry
Literature and society
Prose and mime
Livy
Cicero and the relationship of oratory to literature
Martial and Juvenal
Social status and social legislation
Britain 43 B.C. to A.D. 69
The literature of the Empire
Tiberius to Nero
The puella
Books and readers in the Greek world
Books and readers in the Roman world
Horace, Cicero and Augustus, or the Poet Statesman at Epistles 2.1.256
Epilogue
Roman art, 43 B.C. to A.D. 69
The Younger Seneca
The Politics of Apollonius Rhodius' Argonautica
The evolution of a theory of artistic prose
Vna CVM Scriptore Meo
The imperial court
Explorations in Latin Literature
The epic tradition after Homer and Hesiod
Drama
Challenge and response
The Imperial finances
The Georgics
Ovid
Propertius
Amicvs Certvs in Re Incerta Cernitvr
Augustan Critics
Greek Criticism of the Empire
Cultural, social and economic features of the Hellenistic world
The expansion of the empire under Augustus
Tibullus in first place
Introductory
| Citation velocity | historical |
|---|---|
| Highly cited | No |