Theatre, Crime and the Edgy City in Post-apartheid Johannesburg
Bibliographic Data
| ID | 4918927 |
|---|---|
| Authors | Loren Kruger (corresponding author) |
| Year | 2001 |
| Volume | 53 |
| Issue | 2 |
| Pages | 223-252 |
| Publication date | 2001-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/tj.2001.0050 |
| OpenAlex | W2125511292 |
| Language | EN |
| Citations received | 13 |
| References cited | 15 |
Crime and money have been persistent themes of writing about Johannesburg since the 1890s, barely a decade after the city's founding in 1886, when Winston Churchill allegedly called the city "Monte Carlo on top of Sodom and Gomorrah." 3 Crime in the [End Page 223] city has inspired drama about Johannesburg, from Helena's Hope Ltd (1910), the gold-rush melodrama by actor-manager Stephen Black, via anti-apartheid plays about the struggles of newly arrived blacks, from Athol Fugard's No-Good Friday (1958) to Matsemela Manaka's Egoli (1979; lit: "Place of Gold"), to the potentially post-apartheid Love, Crime, and Johannesburg (1999), about crime and politics in the "new South Africa." Despite the lament of one of Nadine Gordimer's characters in the 1950s, that "Johannesburg has no genre of its own," variations on the crime story and its theatrical cousins, the melodrama and the gangster show, have been around since the beginning. 4 Nonetheless, as my first epigraph suggests, the disorder of the mining town at the turn of the last century pales before the mayhem that prevails in Johannesburg at the turn of this century. The end of apartheid has not brought peace to Africa's wealthiest city, but rather unleashed the lawlessness that plagued black township residents for decades on the wealthy (mostly white) population as well; a "lost generation" of youth with little education and no prospects has turned not only criminal but violent, matching theft and burglary with apparently gratuitous rape, torture and murder. 5
Art · Criminology · Drama · Lament · Lawlessness · Literature · Political science · Politics · Sociology · African history and culture studies · African studies and sociopolitical issues · History · Law · South African History and Culture
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Examining the linguistic self in a multilingual context
Culture and Politics After Apartheid
The Fairest Cape of Them All? Cape Town in Cinematic Imagination
Genres of Johannesburg
Filming the Edgy City
The spatial stereotype
African Brecht”
Writing the World from an African Metropolis
Cinema and the edgy city
Dystopian dreams from South Africa
Urbanised soundtracks
Studies in the social and economic history of the Witwatersrand, 1886-1914
Mooi Street and Other Moves
The Death and Life of Great American Cities
Geographies of Resistance
Race, Space, and Riots in Chicago, New York, and Los Angeles
The Wretched of the Earth
The Global City
Towards an Arts Council for South Africa
Flexible Accumulation Through Urbanization
Places of Performance
Discouraging Democracy
Commodities, Mimesis, and The Lion King
The Pan-African Nation
The Banality of Power and the Aesthetics of Vulgarity in the Postcolony
| Unique citing works | 13 |
|---|---|
| Citations per year | 0,59 |
| Citation span | 2004 - 2017 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 12 |