Questions for Javier Fuentes
Bibliographic Data
| ID | 4923083 |
|---|---|
| Authors | Javier Fuentes, Michelle Johnson (0000-0002-6994-3766) |
| Year | 2023 |
| Volume | 97 |
| Issue | 5 |
| Pages | 22-23 |
| Publication date | 2023-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | World Literature Today (JOURNAL) |
| Journal identifiers | ISSN: 0196-3570 • E-ISSN: 1945-8134 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/wlt.2023.a904261 |
| OpenAlex | W4386110788 |
| Language | EN |
5 Questions for Javier Fuentes Javier Fuentes (bio) and Michelle Johnson (bio) Click for larger view View full resolution Click for larger view View full resolution Javier Fuentes's debut novel, Countries of Origin, finds pastry chef Demetrio leaving the US and returning to his birth country, Spain. On the flight to Madrid, he meets Jacobo, which begins a will-they-won't-they story within this novel of reverse migration. As issues of class and privilege complicate the relationship, Demetrio rediscovers Madrid and questions his professional path. Q Something I particularly enjoyed about Countries of Origin is how you write about place, whether Demetrio is biking through New York City or walking through Madrid. You seem to be capturing a disappearing New York City and contrasting its money-driven landscape with a slower, less-gentrified Madrid. How do you view your changing city? ________ A Place is a central aspect in the immigrant experience. In the same way that Demetrio's uncle, Chus, had to flee Spain during the Franco regime and relocate to the United States, Demetrio's lack of future due to not having the right papers forces him out of New York. In Madrid, Demetrio experiences a city not yet transformed by unfettered capitalism and recognizes in Lavapiés echoes of the Lower East Side he grew up in. Most of the cultural and queer spaces of the 1990s where I became a young adult are now a Chase Manhattan Bank, a Star-bucks, or a CVS. Those physical spaces, and the people who frequented them, played a crucial role in my development, especially in those parts of my identity that I had to cultivate outside of my family: the queer and the immigrant. Though I can't avoid feeling nostalgic, New York is still a city that contains multitudes, a space that provides you with both the necessary anonymity for exploration and then the right communities to participate in. Due to skyrocketing rent prices, many artists and cultural spaces have moved away from Manhattan, but the new generations coming to the city for self-discovery now go to the Bronx, Brooklyn, and Queens. Manhattan is no longer the cultural epicenter, but New York City is still where it's at. I can't think of a better place for those who have not found home yet. ________ Q As Demetrio experiences new landscapes, his perspective shifts: "Because I had grown up in Manhattan, my eyes were used to a limited depth of field, and the expansiveness of this view had a hypnotic effect on me. As I admired the landscape before me, time seemed to have stopped. I suddenly had all the time in the world, all the time to contemplate where I had arrived." Even his desserts change. Is psychogeography among your interests? ________ A Yes, it is. I first came across Guy Debord's Theory of the Dérive as a teenager living in Madrid. It was an assigned reading for my sister who, at the time, was studying architecture at the Universidad Complutense. Debord led me to Walter Benjamin and Charles Baudelaire, whose works contributed to my infatuation with the myth of the flâneur. Demetrio's drifting through the streets of Madrid mirrors the alienation he experiences after leaving New York. The behavioral disorientation he has been suffering, which becomes more acute after meeting the immigration lawyer, and his decision to leave the United States are very much represented in his relationship with the space [End Page 22] he is inhabiting. Demetrio came of age in the twenty-six-by-fourteen-foot kitchen of a high-end restaurant, a windowless space that for a long time felt particularly safe due to his lack of papers. But when he arrives in Spain, a country he finally can't be expelled from, he progressively begins to experience a kind of grounding that allows him to reflect on his life and consider his future with an expansiveness he couldn't access before. After having lived in Manhattan most of his life, with its street grid system forcing him to move through the city in efficient ways, Demetrio loves getting lost in the meandering streets
Art history · Capitalism · Immigration · Political science · Politics · Queer · Sociology · Gender Studies · History · Law · Spanish Culture and Identity
| Highly cited | No |
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