Paolo Conte
Italian 'Arthouse Exotic
Bibliographic Data
| ID | 4934151 |
|---|---|
| Authors | T Ony Mitchell, Tony Mitchell (University of Technology Sydney, corresponding author) |
| Year | 2007 |
| Volume | 26 |
| Issue | 3 |
| Pages | 489-496 |
| Publication date | 2007-10-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143007001390 |
| OpenAlex | W1992476867 |
| Language | EN |
| References cited | 4 |
Paolo Conte is the most internationally successful of the Italian singer-songwriters who emerged in the 1960s and 1970s. He is also among the most idiosyncratic, eclectic and unusual exponents of what Franco Fabbri has defined as the canzone d'autore (author's song). Nonetheless he remains a rather arcane, cult figure in the Anglophone world - an example of what Simon Frith has called 'the unpopular popular'. A combination of apparent opposites - the provincial and the cosmopolitan - his music appropriates a global sweep of influences without being definable as 'world music'. Characteristics of both his rough, untrained singing style and wry, ironic and opaque compositions have strong affinities with US singer-songwriters like Tom Waits and Randy Newman, and he draws heavily on early American jazz influences, although he remains quintessentially Italian. This makes him difficult to categorise in the world music market
Ancient history · Art · Art history · Cult · Frith · Jazz · Linguistics · Literature · Singing · Style (visual arts · Diverse Musicological Studies · History · Italian Fascism and Post-war Society · Music History and Culture · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |