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Those Outside the Scene

Snow in the World Republic of Letters

Bibliographic Data

ID4936665
AuthorsNergis Ertürk (corresponding author)
Year2010
Volume41
Issue3
Pages633-651
Publication date2010-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew Literary History (JOURNAL)
Journal identifiersISSN: 0028-6087 • E-ISSN: 1080-661X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/nlh.2010.a408302
OpenAlexW2159723301
LanguageEN
Citations received1
References cited9

This article intervenes in both national and transnational critical discourses on the work of the Turkish Nobel Laureate Orhan Pamuk, performing a close reading of Pamuk’s controversial 2002 novel Snow, dismissed by critics in Turkey as a “blunder” and celebrated by the Swedish Academy as “a geological core sample of all levels of Turkish society.” Neither a guide to a new secular politics, nor a verisimilar portrait of Turkey as it really is, I will argue, Snow is best understood as posing a problematic of representation and recognition -- hearing, giving, or appropriating a voice, or refusing to speak -- in a mass-mediated transnational context. I argue that any reading of Snow properly sensitive to its narratorial implied author’s investments in a transnational literary market must grapple with the novel’s internal projective figuration of transnational readership, and that such a reading necessarily brings with it a sense of the real limits—which is not to say the impossibility, or the disvalue—of critical discourse on “world literature.”

Art · Art history · Audience measurement · Context (archaeology) · Impossibility · Linguistics · Literature · Media studies · Political science · Politics · Portrait · Reading (process) · Representation (politics) · Sociology · Turkish · History · Law · Philosophy · Rhetoric and Communication Studies

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Unique citing works1
Citations per year0,08
Citation span2014 - 2014 (1)
Citation velocityhistorical
Highly citedNo

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