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El Corrido de Ricardo Aldape Guerra

Form, History, and Resistance

Bibliographic Data

ID4938513
AuthorsGabriel Daniel Solis (University of Texas at Austin, USA, corresponding author)
Year2011
Volume23
Issue3
Pages173-196
Publication date2011-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Dynamics (JOURNAL)
Journal identifiersISSN: 0921-3740 • E-ISSN: 1461-7048
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0921374011430567
OpenAlexW2081065406
LanguageES
Citations received1
References cited30

This essay examines two corridos composed about Ricardo Aldape Guerra, an undocumented Mexican immigrant who was wrongfully convicted and given a death sentence for the murder of a white Houston police officer in 1982. It shows how the corridos, "Soy Inocente" and "Al Filo de la Muerte," are stylistically and thematically influenced by both the heroic corrido and victim corrido art forms. Although the use of the heroic corrido style and thematics is significant almost a century after the form lost prominence as a cultural and ideological expression of resistance, and while the double influence of the heroic corrido and postwar victim corrido forms on "Soy Inocente" and "Al Filo de la Muerte" is significant for its disruption of strict dichotomies between the two forms, I am interested in a deeper reading of the two corridos. I am interested in what the meaning of the relationship between the artistic form and the historical conditions from which the form emerges suggests about the conditions of existence for undocumented Mexican immigrants living and working in the United States today

Art · Epistemology · Humanities · Ideology · Literature · Political science · Politics · Sociology · History · Law · Memory, Trauma, and Commemoration · Memory, violence, and history · Philosophy · Public Spaces through Art

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Unique citing works1
Citations per year0,13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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