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The Joy of Destruction Is Also the Joy of Creation

Bibliographic Data

ID4941023
AuthorsCostica Bradatan (Texas Tech University, The Honors College, PO Box 41017, Lubbock, TX 79409, USA)
Year2014
Volume19
Issue4
Pages1-5
Publication date2014-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAngelaki (JOURNAL)
Journal identifiersISSN: 0969-725X • E-ISSN: 1469-2899
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0969725x.2014.984417
OpenAlexW1988447274
LanguageEN
Citations received2
References cited6

Given its capacity to stimulate the imagination and resonate across a wide spectrum of human experiences, sacrifice has always attracted filmmakers. From Dreyer's The Passion of Joan of Arc to Pasolini's Mamma Roma to Tarkovsky's Sacrifice to many of Ozu's films to Kar Wai Wong's In the Mood for Love or to Lars von Trier's Breaking the Waves and Bruno Dumont's La Vie de Jésus, to give just a few examples, sacrifice has nourished, informed and shaped filmmaking. Sacrifice is a fundamental human act, and cinema has always, in some way or another, danced around it. Yet that's not all. In a world like ours from which the gods have mostly withdrawn, but people haven't stopped feeling the need to believe, in an important sense film has taken over the myth-factory. It's on screen that the post-Christian grand narratives are sketched, the new myths rehearsed, and the old ones recycled. Our contemporaries may no longer be church-goers, but they go to the movies religiously. And the sacrificial theme makes for the perfect raw material for this new production line. For sacrifice can provide stories of loss and mourning, betrayal and redemption, death and renewal, destruction and re-creation, apocalypses and the birth of new worlds

Aesthetics · Art · Art history · Filmmaking · Literature · Movie theater · Mythology · Narrative · Sacrifice · Theme (computing · Theology · Cinema and Media Studies · Italian Fascism and Post-war Society · Violence, Religion, and Philosophy · Philosophy

  • On Quentin Meillassoux and the Problem of Evil

    Open Access•Claude Mangion•Open Theology•2020

  • Lively Ethography

    Open Access•T Van Dooren, Deborah Bird Rose•Environmental Humanities•2016

  • Representing Religion in World Cinema

    Open Access•S Brent Plate•Representing Religion in World…•2003

  • Violence and the Sacred

    René Girard•Violence and the sacred•1979

  • The Scapegoat

    René Girard, Yvonne Freccero•Scapegoat•1989

  • Empire of Sacrifice

    Jon Pahl•Empire of sacrifice•2016

  • The Gift

    Marcel Mauss•Gift•2002

Unique citing works2
Citations per year0,2
Citation span2016 - 2020 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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