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Berlin capitale

La Ville Comme Exposition

Bibliographic Data

ID4943811
AuthorsMargaret Manale (corresponding author)
Year2003
Volume145
Issue3
Pages67-88
Publication date2003-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueL Homme et la société (JOURNAL)
Journal identifiersISSN: 0018-4306 • E-ISSN: 2101-0226
PublisherCAIRN (PUBLISHER)
DOI10.3917/lhs.145.0067
OpenAlexW2104891105
LanguageEN
Citations received1

After the fall of the Berlin Wall, the German Federal Republic began a quest for symbols apt to engender a sense of unity and to compensate a persistent deficit in terms of national identity. Rebuilding Berlin as the capital indeed represented a unique opportunity: this once divided metropolis is to become the prototype of a new European city, and, what is more, a metaphor embodying the triumphant values of democracy. Its promoters, both private and public, concur on the meaning inherent in this extravagant urban spectacle. We examine here three projects through which they intend realising this vision: the Potsdamer Platz, a monumental commercial complex; three commemorative constructions, the “Topography of Terror”, the Jewish Museum and the Holocaust Memorial; finally, the chancellery, an illustration of “multiculturally” inspired State architecture

Aesthetics · Art · Art history · Capital (architecture) · Democracy · Epistemology · Exposition (narrative) · German · Humanities · Literature · Meaning (existential) · Metaphor · National identity · Political science · Private capital · Sociology · Spectacle · State (computer science) · The Holocaust · Theology · Visual arts · Architecture · European history and politics · Historical Studies and Socio-cultural Analysis · History · Law · Philosophy

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    Open Access•Yann Scioldo-Zürcher•Revue européenne des migrations…•2016

Unique citing works1
Citations per year0,1
Citation span2016 - 2016 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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