Mecenazgo musical e identidad aristocrática en el México Ilustrado
Miguel de Berrio y Zaldívar, Conde de San Mateo de Valparaíso (1716-1779)
Bibliographic Data
| ID | 4944604 |
|---|---|
| Authors | Javier Marin-Lopez (0000-0003-3337-5565, corresponding author) |
| Year | 2018 |
| Volume | 39 |
| Issue | 1 |
| Pages | 1-29 |
| Publication date | 2018-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr39101 |
| OpenAlex | W2883540549 |
| Language | ES |
| Citations received | 3 |
This article contributes new information and some preliminary hypotheses on the musical patronage of the nobility of New Spain in the mid-eighteenth century, using as case study the creole Miguel de Berrio y Zaldívar, Count of San Mateo of Valparaíso and Marquess of Jaral. Berrio became famous for the musical soirees at his palace in Mexico City, taking part himself as violinist; additionally, he gathered among the most impressive collections of scores and musical instruments on the continent. This work concludes that Berrio’s musical interest not only was a form of entertainment and self-promotion but also part of his aristocratic identity as nobleman
Aesthetics · Art · Art history · Creole language · Entertainment · Humanities · Musical · Nobility · Political science · Violin · Visual arts · Historical Studies in Latin America · History of Education in Spain · Libraries, Manuscripts, and Books · Philosophy
| Citations per year | 0.5 |
|---|---|
| Citation span | 2020 - 2025 (6) |
| Highly cited | No |