Discernment of shades of sadness in Guarnieri's Ponteios
An Interpreter Perspective
Bibliographic Data
| ID | 4945598 |
|---|---|
| Authors | Rebecca Rodrigues (0000-0001-7120-6071, Universidade Federal do Rio Grande do Sul), Regina Antunes Teixeira Dos Santos (0000-0001-9919-6266, Universidade Federal do Rio Grande do Sul) |
| Year | 2018 |
| Issue | 38 |
| Publication date | 2018-05-14 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Per Musi (JOURNAL) |
| Journal identifiers | ISSN: 1517-7599 • E-ISSN: 2317-6377 |
| Publisher | Universidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa (PUBLISHER) |
| DOI | 10.35699/2317-6377.2018.5227 |
| OpenAlex | W2800031130 |
| Language | EN |
| Citations received | 1 |
| References cited | 7 |
Four of Guarnieri's Ponteios for piano (numbers 11, 31, 36, and 41) bearing the expressive indication of sadness were prepared and performed live before audiences of graduate and undergraduate students (N = 63) or students belonging to a university music theory and perception extension course (N = 65). Two emotional terms were chosen by the interpreter that better described his/her conception of sadness in the piece. Categorical and prototype models were selected for guiding the selection of these terms. Sound wave profile analysis and interpretative choices by the interpreter were employed to classify the assigned emotions in terms of the bidimensional categorical model of emotion, i.e., arousal polarized (flow of the events) and valence polarized (intensity of the signal). Differences in timing highlighting (or not), dynamic contrast levels and the presence or not of a climax were shown to be characteristics that contributed to these distinctions into two groups: those bearing the composer's indication of Triste (Sad) - Ponteios 11 and 21; and those bearing the indication of Tristemente (Sadly) - Ponteios 36 and 41, with the latter provoking relatively higher (more negative) arousal and valence
Anger · Arousal · Art · Art history · Cognitive psychology · Interpreter · Linguistics · Perception · Physics · Piano · Sadness · Computer Science · Diverse Musicological Studies · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy · Psychology · Social Psychology
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Experimental Studies of the Elements of Expression in Music
Sad music as a means for acceptance-based coping
Cross-cultural anger communication in music
Fifty shades of blue
Relationships between musical structure and psychophysiological measures of emotion
A circumplex model of affect
| Citations per year | 0.2 |
|---|---|
| Citation span | 2021 - 2021 (1) |
| Highly cited | No |