The Blossoms of 'Trockne Blumen
Music and Text in the Early Nineteenth Century
Datos Bibliográficos
| ID | 4946294 |
|---|---|
| Autores | Lawrence M Zbikowski (University of Chicago, autor de correspondencia) |
| Año | 1999 |
| Volumen | 18 |
| Número | 3 |
| Páginas | 307-345 |
| Fecha de publicación | 1999-10-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Music Analysis (JOURNAL) |
| Identificadores de la revista | ISSN: 0262-5245 • E-ISSN: 1468-2249 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/1468-2249.00098 |
| OpenAlex | W1973727808 |
| Idioma | EN |
| Citas recibidas | 32 |
Art · Art history · Citation · Library science · Literature · Performance art · Computer Science · Musicology and Musical Analysis · Neuroscience and Music Perception · Poetry Analysis and Criticism
Asakusa-Tsugaru-jamisen
Tonal Interpretation, Transformational Models, and the Chromatic Calls to Repent in Franck's Le chasseur maudit
Criteria for Analysis
Chromaticism and the Question of Tonality
Harmonic Dualism as Historical and Structural Imperative
Dualistic Forms
Neo-Riemannian Perspectives on the Harmonieschritte , with a Translation of Riemann's Systematik der Harmonieschritte
Riemannian Analytical Values, Paleo- and Neo
On a Transformational Curiosity in Riemann's Schematisirung der Dissonanzen
Dualism and the Beholder's Eye
“The Nature of Harmony”
The Problem of Harmonic Dualism
Three Short Essays on Neo-Riemannian Theory
What is a Function?
The Reception of Hugo Riemann's Music Theory
Tonal Pitch Space and the (neo-)Riemannian Tonnetz
Reading between the Lines
Metric Freedoms in Brahms's Songs
From Matrix to Map
On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
Riemann and Melodic Analysis
The Oxford handbook of neo-Riemannian music theories
Beethoven within Grasp
Dual mirrors of Müller
Ole Kühl's. Musical Semantics
Conceptual blending, creativity, and music
The way we blend
A critique of the music school as a conservative system of music production
AsylumGained'? AspectsofMeaninginThomasAdès'sAsyla
Portmantonality and Babbitt's Poetics ofDouble Entendre
Love in disguise
Concrete images and abstract metaphorical extensions in the encounter between language and music
| Obras citantes distintas | 32 |
|---|---|
| Citas por año | 1,6 |
| Intervalo de citas | 2006 - 2025 (20) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 31 |