Timings, Canon, and Art History
Bibliographic Data
| ID | 4947871 |
|---|---|
| Authors | Roshini Kempadoo (0000-0003-0878-1916, corresponding author) |
| Year | 2015 |
| Volume | 19 |
| Issue | 2 |
| Pages | 167-176 |
| Publication date | 2015-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Small Axe A Caribbean Journal of Criticism (JOURNAL) |
| Journal identifiers | ISSN: 1534-6714 • E-ISSN: 0799-0537 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/07990537-3139298 |
| OpenAlex | W1912116829 |
| Language | EN |
| Citations received | 2 |
| References cited | 2 |
This essay is a contribution to the book discussion of Timed Out: Art and the Transnational Caribbean (2011) by Leon Wainwright. Kempadoo offers an exploration and commentary on the way Wainwright's publication has been structured and conceived, exploring the rationale for the range of artists as the subjects of the book. She discusses "timing" and temporality as the central narrative for Wainwright in researching Caribbean art as transnational and comments on the implications and limitations of the publication in addressing the complexity of contemporary Caribbean visual art within the context of global art practices and set against more radical postcolonial art critique
Aesthetics · Archaeology · Art · Canon · Context (archaeology · Epistemology · Literature · Narrative · Sociology · Temporality · Visual arts · Wainwright · Caribbean history, culture, and politics · Cultural Industries and Urban Development · History · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.18 |
| Citation span | 2015 - 2017 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |