Fiction as Mapmaking
Moscow as Ivan Bunin's Russian Memory Palace
Bibliographic Data
| ID | 4950367 |
|---|---|
| Authors | Angela Brintlinger (corresponding author) |
| Year | 2014 |
| Volume | 73 |
| Issue | 01 |
| Pages | 36-61 |
| Publication date | 2014-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Slavic Review (JOURNAL) |
| Journal identifiers | ISSN: 0037-6779 • E-ISSN: 2325-7784 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.5612/slavicreview.73.1.0036 |
| OpenAlex | W2504025293 |
| Language | EN |
| References cited | 2 |
In his fiction written from the 1920s through 1940s Ivan Bunin set a number of stories in Moscow, naming specific places, many of which were closed or destroyed after the 1917 Revolution by the Soviet regime or by Nazi bombing during World War II. In so doing, Bunin used Moscow to map the cultural memory of the Russian emigration, with the ancient city of Moscow standing as its "memory palace" while contributing to the "Moscow text." In his 1944 story "Cleansing Monday," in particular, Bunin conducted this mnemonic project on three levels: historical, spiritual, and didactic. He did so for both a Russian readership-his compatriots abroad and potential (future) readers back home-and a foreign audience increasingly interested in Russia. Through close reading of the story, diary entries, and Bunin's biography, this article explores the idea of a memory palace and four specific memory images, comparing Bunin's depiction of Russia to a 1915 depiction by English traveler Stephen Graham
Archaeology · Art · Art history · Audience measurement · Biography · Depiction · Emigration · Linguistics · Literature · Mnemonic · Balkans: History, Politics, Society · History · Law · Memory, Trauma, and Commemoration · Philippine History and Culture · Philosophy
| Highly cited | No |
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