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Pageantry and primitivism

Dorothea Fairbridge and the 'aesthetics of union

Bibliographic Data

ID4955097
AuthorsPeter Merrington (0000-0002-5646-9460, University of the Western Cape, corresponding author)
Year1995
Volume21
Issue4
Pages643-656
Publication date1995-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Southern African Studies (JOURNAL)
Journal identifiersISSN: 0305-7070 • E-ISSN: 1465-3893
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/03057079508708471
OpenAlexW2044271496
LanguageEN
Citations received18
References cited4

This article seeks to introduce the life and work of Dorothea Fairbridge, a long‐forgotten yet prolific Cape colonial author, as a worthwhile subject in South African literary history; it also seeks (while describing the activities of Fairbridge's cultural coterie) to sketch the field for further work in what is termed the ‘aesthetics of Union’ or Cape imperial aesthetics and iconography.1 For the sake of economy, several specific topics will be emphasised within a broader discussion of aesthetics and iconography: aspects of the patriarchal construction of Victorian Cape Town; some details concerning the Cape's ‘Mediterranean’ and ‘Egyptian’ connections; a description of the pro‐Union magazine, The State, run by members of Milner's ‘kindergarten'; and, finally, the events of the 1910 Union Pageant. Regarding the impact of modernism in Edwardian Cape Town, the paper focuses on two aspects of this movement, namely ‘pageantry’ and ‘primitivism’. A contrast is made between taxonomical and iconographic cultural activity; and, in particular, iconography and pageantry are shown to have been constitutive to national and imperial identity

Aesthetics · Archaeology · Art · Art history · Cape · Colonialism · Iconography · Identity (music · Modernism (music · Subject (documents · African history and culture studies · History · Postcolonial and Cultural Literary Studies · South African History and Culture

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Unique citing works18
Citations per year0,6
Citation span1996 - 2008 (13)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 18

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