Inter-American Mediations
Charles Seeger, Domingo Santa Cruz, and the Politics of Transnational Musical Exchange
Bibliographic Data
| ID | 4957230 |
|---|---|
| Authors | Amanda Minks (corresponding author) |
| Year | 2020 |
| Volume | 41 |
| Issue | 1 |
| Pages | 93-119 |
| Publication date | 2020-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr41104 |
| OpenAlex | W3027970413 |
| Language | EN |
| Citations received | 2 |
In the 1940s, inter-American music projects created new networks of intellectual and musical exchange. This article contributes new archival research on the decades-long relationship between Charles Seeger (US composer, teacher, and cofounder of the Society for Ethnomusicology) and Domingo Santa Cruz (Chilean composer, lawyer, diplomat, and founder of the Chilean Music Review). A conceptual focus on “mediations” brings together textuality, materiality, and ideology to expand our narratives and methodologies in critically analyzing the geopolitics of musical knowledge
Aesthetics · Art · Ethnomusicology · Geopolitics · Ideology · Literature · Musical · Musical composition · Narrative · Political science · Politics · Polyphony · Sociology · Visual arts · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,4 |
| Citation span | 2021 - 2022 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |