The visual records and visual legacies of slavery
Bibliographic Data
| ID | 4963963 |
|---|---|
| Authors | Radhika Mongia (York University, corresponding author) |
| Year | 2022 |
| Volume | 34 |
| Issue | 4 |
| Pages | 325-331 |
| Publication date | 2022-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Dynamics (JOURNAL) |
| Journal identifiers | ISSN: 0921-3740 • E-ISSN: 1461-7048 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/09213740221140790 |
| OpenAlex | W4312059771 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
How did visual techniques serve to facilitate slave regimes? How can an attention to the visual record enhance our understanding of slavery? In what ways does this record survive in our contemporary visual economy? This essay considers these questions through an analysis of Reconstructing the Landscapes of Slavery: A Visual History of the Plantation in the Nineteenth-Century Atlantic World by Dale Tomich et al. and of the contested practice of "plantation weddings" in an era dominated by the photographic image
Archaeology · Art · Art history · Biography · Historical record · Visual anthropology · Visual arts · Visual culture · Visual methods · Colonialism, slavery, and trade · History
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |