Youth and Age in the Thera Frescoes
Bibliographic Data
| ID | 4967342 |
|---|---|
| Authors | Ellen N Davis (corresponding author) |
| Year | 1986 |
| Volume | 90 |
| Issue | 4 |
| Pages | 399-406 |
| Publication date | 1986-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Journal of Archaeology (JOURNAL) |
| Journal identifiers | ISSN: 0002-9114 • E-ISSN: 1939-828X |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/506024 |
| OpenAlex | W2332385232 |
| Language | EN |
| Citations received | 19 |
The Thera frescoes present a set of pictorial conventions that distinguish six stages of maturity from youth to old age. These conventions apply to female figures and, at the early stages, to males as well. Four stages of youth are indicated by variations in hairstyle. Children at the earliest stage have shaved heads, except for locks growing from the back of the head at the top and the forehead. Somewhat older children have additional locks growing from the top and the right side of the head. Girls in the frescoes from Xeste 3 have recently ceased to shave their heads, and have shed the locks of later childhood at what appears to have been a rite of passage marking their entry into adulthood. Two maidens painted in the adyton of Xeste 3 have grown full heads of hair, but have shed their forehead locks. One maiden is in the process of losing her final lock, that growing from the back of the head at the top, which had been bound up in a loop and fastened with a hairpin. These young women appear to be engaged in activities that refer to a nuptial ritual enacted in the adyton. Additional figures from Xeste 3 represent mature women, and those from the House of the Ladies represent old women, their age indicated by sagging breasts and red strokes in the whites of their eyes. Evidence that these artistic conventions, and perhaps the social practices and religious rituals implied by them, extended beyond Thera is furnished by works from Crete and the Greek mainland
Archaeology · Art · Biology · Forehead · Fresco · Head (geology · Lock (firearm · Rite of passage · Sociology · Visual arts · Anatomy · Ancient Mediterranean Archaeology and History · Anthropology · Classical Antiquity Studies · Historical and Literary Studies · History · Medicine · Psychology
Mycenaean Greece and the Aegean World
Hair, hairstyling, Greece and Rome
Egyptianizing Female Figurines in Late Bronze Age Cyprus
Boy, You Fight like a Woman … Representations of Defeated Enemies, Boys and Male Nudity in the Late Bronze Age Aegean Iconography and Their Role in the Expression of Masculinity
Miniature Crowd Frescoes from Knossos
Following the Path of the Sea Persons
Following the Path of the Sea Persons
Rich beyond the dreams of Avaris
Classes d’âge et rites de passage
Dance in Bronze Age Greece
The Practice of Bird Hunting in the Aegean of the Second Millennium Bc
Adornment, Ritual and Identity
The Ladder-men at Alaca Höyük
Crocuses in Context
Painted Early Cycladic Figures
Horsepower and Donkeywork
Painted Ladies
Geometric templates used in the Akrotiri (Thera) wall-paintings
Little women
| Unique citing works | 19 |
|---|---|
| Citations per year | 0,59 |
| Citation span | 1994 - 2026 (33) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 19 |