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Between Athlos and Arbeit

Myth, Labor, and Cement

Bibliographic Data

ID4969070
AuthorsDevin Fore (corresponding author)
Year2010
Volume37
Issue2
Pages125-152
Publication date2010-01-01
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-2010-008
OpenAlexW2032765012
LanguageEN

This essay looks at the role of myth in Cement, an early 1970s play written by the East German playwright Heiner Müller in the wake of the New Economic System of Plan and Control. By “updating” myths of labor (e.g., the myths of Prometheus and Hercules), Müller explores the dialectic of anthropomorphism and abstraction that structures modern production. Müller also considers mythical thinking itself a force of production and a technology; it is, Müller wrote, “an aggregate, a machine, onto which other new machines can always be coupled.” Both myths of labor and myth as labor converge in Müller's Cement

Abstraction · Archaeology · Art · Dialectic · Economics · Epistemology · German · Literature · Microeconomics · Mythology · Plan (archaeology) · Production (economics) · Cybernetics and Technology in Society · History · Philosophy

Highly citedNo

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