Constructing Transformational Signification
Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1-32
Bibliographic Data
| ID | 4980775 |
|---|---|
| Authors | John Roeder (University of British Columbia, corresponding author) |
| Year | 2009 |
| Volume | 15 |
| Issue | 1 |
| Publication date | 2009-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.15.1.3 |
| OpenAlex | W2343917315 |
| Language | EN |
| Citations received | 2 |
| References cited | 12 |
David Lewin's didactic examples of transformational analysis leave open questions about how to choose the most expressive object families, network types, and visual representations, as well as deeper questions about the nature of "gesture" and the agent "inside the music." By developing several contrasting analyses of a Bartók passage, this article presents an analytical pragmatics that addresses those questions and explores how animation can bring out a characteristically transformational attitude
Animation · Art · Cognitive science · Gesture · Linguistics · Pragmatics · Transformational leadership · Visual arts · Communication · Computer Science · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception · Philosophy · Psychology · Social Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,22 |
| Citation span | 2017 - 2019 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |