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Tarzan the German-Eater

Bibliographic Data

ID4982014
AuthorsMatt Cohen (0000-0002-4974-6060, Duke University, corresponding author)
Year2006
Volume4
Issue2
Pages151-174
Publication date2006-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueComparative American Studies An International Journal (JOURNAL)
Journal identifiersISSN: 1477-5700 • E-ISSN: 1741-2676
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1177/1477570006065258
OpenAlexW2085782129
LanguageEN
Citations received1
References cited30

This article raises questions about methodology in the study of transnational popular writing by examining the international popularity of Edgar Rice Burroughs, author of the Tarzan novels. Critical anti-imperialist analyses have found in Burroughs's fiction a dangerous metaphorics supporting imperialistic US foreign policies. In Weimar Germany, resistance to the Tarzan novels emerged that all but eliminated the market for these otherwise internationally popular fictions. Yet the German reaction shows how the idea of 'empire', embodied in tropes of race and gender, could continue to function in debates about international popular literature. At the same time, Burroughs was forced to adapt to international markets by tempering his imperialistic fictions. Burroughs's work after the controversy shows a shift in the depiction of national 'others', yet it had little radical potential because Burroughs had turned his imperial gaze inward, towards the internally colonized: Native Americans

Ancient history · Art · Art history · Depiction · Empire · German · Literature · Political science · Popularity · American Political and Social Dynamics · Comics and Graphic Narratives · History · Law · Literature, Film, and Journalism Analysis

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Unique citing works1
Citations per year0,05
Citation span2006 - 2006 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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