Aristophane révolutionnaire
Bibliographic Data
| ID | 4983803 |
|---|---|
| Authors | Charalampos Orfanos (corresponding author) |
| Year | 2018 |
| Issue | 108 |
| Pages | 65-77 |
| Publication date | 2018-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pallas (JOURNAL) |
| Journal identifiers | ISSN: 0031-0387 • E-ISSN: 2272-7639 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/pallas.9665 |
| OpenAlex | W4241732274 |
| Language | FR |
| References cited | 11 |
Lisistrata ou les Athéniennes, written by François-Benoît Hoffman and adapted from Aristophanes’ Lysistrata, was performed in Paris from 22 December 1801 to 20 January 1802. Although Hoffman had attempted to amend his Aristophanic model, both politically and morally, the Consulate’s censors could not tolerate this play and its fourth performance was its last. Through a study of Lisistrata and of its relationship with its ancient model, the author investigates why this attempt to put Aristophanes on stage was aborted, arguing that it was an instance of collateral damage that occurred as a result of Napoleon’s will «to finish the Revolution
Humanities · Historical and Literary Analyses · Historical and Literary Studies · Historical Studies and Socio-cultural Analysis · Philosophy
Des Anciens et des Modernes
Political Actors
Les Lumières et l'idée du comique
Rire et théâtre carnavalesque pendant la Révolution
Le théâtre de la Révolution française, média de masses entre 1789 et 1794
Theatre, Opera, and Audiences in Revolutionary Paris
Ancient History and the Antiquarian
Rousseau and the State of Theater
The Theater during a Crisis
| Citation velocity | historical |
|---|---|
| Highly cited | No |