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Themes in the prehistoric art of Zimbabwe

Bibliographic Data

ID4985757
AuthorsP S Garlake (corresponding author)
Year1987
Volume19
Issue2
Pages178-193
Publication date1987-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueWorld Archaeology (JOURNAL)
Journal identifiersISSN: 0043-8243 • E-ISSN: 1470-1375
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00438243.1987.9980033
OpenAlexW1974543200
LanguageEN
Citations received13
References cited9

This impressionist survey of the rock art of Zimbabwe is set within a framework of San beliefs about dance, trance, trancers and their potency. It follows on the work of J. D. Lewis‐Williams in South Africa and seeks to extend his approach, using the Zimbabwean art. Among the major themes or motifs interpreted within this framework are large recumbent male figures, obese dancing figures, abstract oval designs, stippled areas and various representations of emanations from the human body

Archaeology · Art · Dance · Prehistory · Rock art · Sociology · Trance · Visual arts · Anthropological Studies and Insights · Anthropology · Archaeology and Rock Art Studies · History · Pleistocene-Era Hominins and Archaeology

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    Open Access•Geoffrey Blundell, Ghilraen Bishop Laue•Arts•2025

  • Black Women Walking Zimbabwe

    Mabura Mabura•Research in African Literatures•2010

  • At War with God

    Jan Platvoet, Jan G Platvoet•Journal of Religion in Africa•1999

  • Dots and Dashes

    Thomas A Dowson•Goodwin Series•1989

  • The Later Stone Age of Welgevonden Rock Shelter, Waterberg, Limpopo Province, South Africa

    Open Access•L Wadley, Wim Biemond et al.•Southern African Field Archaeology•2026

  • Symbols of Potency in the Paintings of Zimbabwe

    P S Garlake•The South African Archaeological…•1990

  • Late Laborian trapezoids

    Open Access•Jérémie Jacquier, Mathieu Langlais et al.•Quaternary International•2020

  • Design and performance of microlith implemented projectiles during the Middle and the Late Epipaleolithic of the Levant

    Open Access•Alla Yaroshevich, D Kaufman et al.•Journal of Archaeological Science•2009

  • We shall know a place by its names

    Open Access•Dorcas Zuvalinyenga•EchoGéo•2020

  • Art on the rocks

    Thomas H Charlton•Reviews in Anthropology•1998

  • The art of music. The representation of musical instruments in the rock art of Zimbabwe

    Open Access•Joshua Kumbani, M Diaz-Andreu•Azania Archaeological Research in…•2025

  • Experimental and archaeological investigations of backed microlith function among Mid-to-Late Holocene herders in southwestern Kenya

    Open Access•T Goldstein, Steven T Goldstein et al.•Archaeological and Anthropological…•2017

  • Agency, art and altered consciousness

    Open Access•J D Lewis-Williams, J D Lewis‐Williams•Antiquity•1997

  • The rock art of southern Africa

    J David Lewis-Williams•The rock art of southern Africa•1983

  • The Trance Hypothesis and the Rock Art of Zimbabwe

    T N Huffman•Goodwin Series•1983

  • Advances in world archaeology

    Open Access•G Barker•Journal of Archaeological Science•1984

  • The Significance of an Early Date for Pottery and Sheep in Zimbabwe

    Nick Walker, N J Walker•The South African Archaeological…•1983

  • The Thin Red Line

    J D Lewis-Williams, J D Lewis‐Williams•The South African Archaeological…•1981

  • Rock Art of Southern Africa

    Roger Summers, C K Cooke•Man•1970

  • The Medicine Dance of the !Kung Bushmen

    Open Access•Lorna Marshall•Africa•1969

  • Cognitive and Optical Illusions in San Rock Art Research

    J D Lewis‐william, J D Lewis-Williams et al.•Current Anthropology•1986

Unique citing works13
Citations per year0,35
Citation span1989 - 2026 (38)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 13

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