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"Music Theory for the "Weaker Sex

Oliveria Prescott's Columns forThe Girl's Own Paper

Bibliographic Data

ID4989130
AuthorsRachel Lumsden (Florida State University, corresponding author)
Year2020
Volume26
Issue3
Publication date2020-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.26.3.4
OpenAlexW3096420076
LanguageEN
Citations received2
References cited29

In this article, I examine a cluster of music theory essays by Oliveria Louisa Prescott (1842-1917), which were published between 1886 and 1891 inThe Girl's Own Paper(TGOP), the most popular periodical for young women in Victorian England. Although little known today, Prescott sustained a vibrant musical career in London as a composer and teacher, and her articles on music theory regularly appeared in major periodicals such asThe Musical WorldandTGOP.Prescott's work forTGOPpresents a rare opportunity to explore music theory that was not just written by a woman, but also intended for a genteel female audience in the Victorian era. Her articles include explanations of fundamental theoretical subjects (cadences, basic harmonic progressions) as well as short analyses of solo piano works by Beethoven and Mendelssohn. But these articles are also noteworthy for their discussions of more advanced theoretical topics (such as chromatic harmony), concepts that might seem surprising for a popular periodical for young ladies. Mainstream journalism is often devalued as a "less serious" form of intellectual discourse, but Prescott's work complicates stereotypes of ignorant amateur female musicians and the so-called "private" sphere, and it demonstrates how print journalism could serve as a vital public platform for the circulation of music theory among young British women in the Victorian era

Aesthetics · Amateur · Art · Art history · Gender schema theory · Girl · Journalism · Literature · Mainstream · Media studies · Musical · Piano · Political science · Popular music · Sociology · Visual arts · Gender Studies · Historical Influence and Diplomacy · History · Law · Psychology · Spanish Literature and Culture Studies · Theater, Performance, and Music History

  • Public Music Theory’s Neoliberal Learning Outcomes

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  • Performing Analysis, Performing Metal

    Open Access•Olivia R Lucas•Music Theory Online•2021

  • Victorian Education and the Ideal of Womanhood

    Joan N Burstyn•Victorian Education and the Ideal…•2016

  • A History of Harmonic Theory in the United States

    Graham Jones, G Thaddeus Jones et al.•American Music•1983

  • George Alexander Macfarren

    Henry C Banister•The Musical Times and Singing…•1891

Unique citing works2
Citations per year0,4
Citation span2021 - 2023 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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