Cease to Exist in Order to Be
Worstward Ho between Badiou and Deleuze
Bibliographic Data
| ID | 4996579 |
|---|---|
| Authors | Christopher Langlois (corresponding author) |
| Year | 2012 |
| Volume | 45 |
| Issue | 3 |
| Pages | 17-32 |
| Publication date | 2012-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mosaic (JOURNAL) |
| Journal identifiers | ISSN: 0027-1276 • E-ISSN: 1925-5683 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/mos.2012.0030 |
| OpenAlex | W1504124389 |
| Language | EN |
| References cited | 4 |
In Handbook of Inaesthetics, Alain Badiou develops a disagreement with Gilles Deleuze over the ontology of artistic creation. By contextualizing this disagreement in Beckett's Worstward Ho, however, we see that it is Deleuze who brings us closer to a position where the difficulties peculiar to artistic thought are better theorized
Aesthetics · Economics · Epistemology · Humanities · Ontology · Order (exchange) · Position (finance) · Modernist Literature and Criticism · Philosophy · Philosophy, Ethics, and Existentialism · Samuel Beckett and Modernism
| Citation velocity | historical |
|---|---|
| Highly cited | No |