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Effacing the Face

Botox and the Anarchivic Archive

Bibliographic Data

ID4999984
AuthorsG Cooke (0000-0003-4085-1654, Concordia University in Montreal, Central Queensland University, corresponding author)
Year2008
Volume14
Issue2
Pages23-38
Publication date2008-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBody & Society (JOURNAL)
Journal identifiersISSN: 1357-034X • E-ISSN: 1460-3632
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1357034x08090696
OpenAlexW2085632715
LanguageEN
Citations received6
References cited5

Botox is a cosmetic technology, and is thus concerned with changes to the appearance of the face and the surface of the skin. Botox is one of the many technologies that form the arsenal of an ‘appearance industry’ dedicated to reducing ‘the appearance of fine lines and wrinkles’ wherever they may appear. In this paper, an analysis of Botox and its milieu will reveal the foibles and preoccupations of a culture obsessed with the face and the surface, with youth and beauty, and with the apparent danger of aging. But Botox is about more than that, for it is is also tied up with the recording and erasure of time and memory. As such, Botox as a cosmetic technology can also be understood as a writing technology, and further, as a technology of the archive. Like many technologies, however, and like any product designed with its longevity in the market in mind, Botox is a pharmakon, it poisons as it cures, it claws back what it dispenses. Botox delivers the youthful, human face at the same time as it takes it away and replaces it with a technical simulacrum, mobilizing fantasies both of human beauty and technological transcendence, commodifying the very passing of time in this movement

Aesthetics · Cognitive science · Epistemology · Linguistics · Botulinum Toxin and Related Neurological Disorders · Communication · Genetic Neurodegenerative Diseases · History · Philosophy · Psychology

  • The elderly female face in beauty and fashion ads

    Open Access•Anne Jerslev•European Journal of Cultural…•2017

  • Covering over Trauma with a Fetishized Body Image

    Florentina C Andreescu•Fashion Theory•2014

  • Collapsing the Surfaces of Skin and Photograph in Cosmetic Minimally-Invasive Procedures

    Open Access•Rachel Hurst, Rachel Alpha Johnston Hurst•Body & Society•2018

  • Embodying Normalcy

    Open Access•H Nehushtan•Qualitative Sociology•2020

  • Body, Image and Affect in Consumer Culture

    Open Access•Mike Featherstone•Body & Society•2010

  • Ma(r)king memories

    Open Access•Chloe Steadman, Emma Banister et al.•Consumption Markets & Culture•2019

  • A note upon the 'Mystic writing-pad' (1925)

    Sigmund Freud•PsycEXTRA Dataset•1971

  • Archive Fever

    Jacques Derrida, Eric Prenowitz•diacritics•1995

  • The Player's Passion

    Stephen M Archer, Joseph Roach et al.•Theatre Journal•1986

Unique citing works6
Citations per year0,38
Citation span2010 - 2020 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6
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