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Performance as Guerrilla Ontology

The Case of Stelarc

Bibliographic Data

ID5010932
AuthorsChris Fleming (0000-0002-0178-1676, corresponding author)
Year2002
Volume8
Issue3
Pages95-109
Publication date2002-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBody & Society (JOURNAL)
Journal identifiersISSN: 1357-034X • E-ISSN: 1460-3632
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1357034x02008003005
OpenAlexW2028499165
LanguageEN
References cited21

This article examines the work of the Australian performance artist, Stelarc, in terms of philosophies of mind and body. It argues that Stelarc's work can profitably be seen as a kind of performative `research' into the body; Stelarc's actions take the form of a hypothetical or speculative ontology which does not operate in order to represent possibility but to enact possibilities in real time and space. His work is compared with and shown to have some resonances with recent cybernetic and systems theories of cognition, in which cognition is figured as a form of `enaction'. This being so, Stelarc's performances suggest an exemplary mode in which `hypotheses' about alternative corporeal existences may be creatively entertained

Citizen journalism · Cognition · Cognitive science · Cybernetics · Embodied cognition · Epistemology · Human–computer interaction · Ontology · Performative utterance · Sociology · Computer Science · Design Education and Practice · Embodied and Extended Cognition · Engineering · Music Technology and Sound Studies · Philosophy · Psychology

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Citation velocityhistorical
Highly citedNo

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