The Struggle for Proletarian Music

Rapm and the Cultural Revolution

Bibliographic Data

ID5013172
AuthorsAmy Nelson (0000-0001-8773-8902, corresponding author)
Year2000
Volume59
Issue1
Pages101-132
Publication date2000-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSlavic Review (JOURNAL)
Journal identifiersISSN: 0037-6779 • E-ISSN: 2325-7784
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/2696906
OpenAlexW2327696463
LanguageEN
Citations received3
References cited27

Since the 1930s, the zealous, idealistic proponents of musical revolution in Soviet Russia, the Rossiiskaia assotsiatsiia proletarskikh muzykantov (Russian association of proletarian musicians, RAPM), have served primarily as an embarrassing footnote to the history of Soviet music and cultural politics. Scholarly opinion of RAPM is remarkably consistent in its condemnation, as Russian-Soviet scholars and westerners alike dismiss the organization for its "simplistic" (western) or "vulgar" (Soviet) ideology and aesthetics. This consensus suggests that RAPM deserves its place in the dustbin of history alongside the Rossiiskaia assotsiatsiia proletarskikh pisatelei (Russian association of proletarian writers, RAPP) and other militant advocates of cultural revolution. But the condescending (western) and embarrassed (Soviet) dismissal of RAPM is itself simplistic. Seeing members of RAPM as undertalented and unwitting tools of the regime's agenda, or misguided if well-intentioned deviationists, obscures the important role the proletarian musicians played in the evolution of Soviet musical culture and aesthetics

Aesthetics · Art · Ideology · Literature · Militant · Musical · Political science · Politics · Proletariat · Eastern European Communism and Reforms · Historical Geopolitical and Social Dynamics · History · Law · Philosophy · Soviet and Russian History

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