The Myth of the Movable Skenai

In the ancient theaters of both Megalopolis and Sparta excavations revealed that one parodos had been modified into a large shed, identified from stamped roof tiles as a "skanotheka." It was in large part this unusual feature which led Heinrich Bulle to surmise that each of these theaters had, at one period in their respective histories, a wheeled, wooden skene that was stored in the skanotheka when not in use. Bulle found further evidence for his reconstruction of the skene at Sparta in 32 grooved blocks that he claimed were part of three stone tracks on which the wheeled skene was moved. This article re-examines the archaeological evidence, considering the reports and conclusions of the excavators and the opinions of other scholars. It is concluded that the archaeological evidence in the theater at Megalopolis does not support Bulle's theory. In fact, the presence inside the skanotheka of a sill running the length of the building argues strongly against the proposal. It is also argued that a wheeled skene such as that envisioned by Bulle cannot have existed in the theater at Sparta, the principal argument against it being differences in the heights of the three "tracks" significant enough to have prevented movement of the wheeled building. Grooved blocks similar to those found in Sparta are noted in the theaters in Gytheion, Boeotian Orchomenos, Isthmia, and Tyndaris, and it is suggested that in all these theaters, including that at Sparta, these blocks may have been used for the storage of wooden frames or flat scenery

Archaeology · Argument (complex analysis) · Art · Civil engineering · Crucible (geodemography) · Economic geography · Excavation · Excavator · Feature (linguistics) · Geography · Literature · Megalopolis · Mythology · Roof · Sociology · Ancient Mediterranean Archaeology and History · Archaeological Research and Protection · Classical Antiquity Studies · Engineering · History · Philosophy

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