Dissecting the Imperceptible
Bibliographic Data
| ID | 5064451 |
|---|---|
| Authors | Antje Kramer-Mallordy (corresponding author) |
| Year | 2011 |
| Volume | 37 |
| Issue | 37 |
| Publication date | 2011-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.1261 |
| OpenAlex | W2029422050 |
| Language | EN |
Encouraged by his museum experience as curator at the Mamco in Geneva, Thierry Davila offers us the recent history of the flipside of art, the one played out on the borderlines of the perceptible, where extreme tenuousness is presented as the actual motif of creation. His book, which is an offshoot of his doctoral thesis, supervised by Eric Michaud and submitted in 2008 at the EHESS, and is devoted to the creation of the barely-visible, draws up a subtle report showing great flair within a hi
Aesthetics · Art · Art history · Sociology · Visual arts · Art, Politics, and Modernism · Cultural Insights and Digital Impacts · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |