A Myth for a Smith
A Meleager Sarcophagus from a Tomb in Ostia
Bibliographic Data
| ID | 5070412 |
|---|---|
| Authors | Eve D''Ambra, Eve D’ambra (corresponding author), Eve D'Ambra |
| Year | 1988 |
| Volume | 92 |
| Issue | 1 |
| Pages | 85-99 |
| Publication date | 1988-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Journal of Archaeology (JOURNAL) |
| Journal identifiers | ISSN: 0002-9114 • E-ISSN: 1939-828X |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/505872 |
| OpenAlex | W2320896732 |
| Language | EN |
| Citations received | 8 |
This article focuses on the relationship between the exterior and interior decoration of two second-century tombs in the Isola Sacra Necropolis outside Ostia. Terracotta reliefs depicting the occupations of the deceased were placed on the tomb facades while the chambers were adorned with mythological sarcophagi and paintings. The selection of mythological subjects is shown to complement the professions of the deceased, and evidence of a decorative program emerges for both of the tombs. The social background of the deceased, the differences in theme and style of the decorations, and the audience for these works within and without the tomb are also discussed
Ancient history · Archaeology · Art · Art history · Literature · Mythology · Painting · Style (visual arts) · Terracotta · Theme (computing) · Visual arts · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Historical and Religious Studies of Rome · History
Funerary Imagery and Iconography
The Calydonian hunt between the Roman, Early Byzantine and the Sassanian empires
Roma İmparatorluk Dönemi Tasvirlerinde Pişirme Kapları ve Gereçleri
At the Cutting Edge of Identity
Atalanta e Hipomenes
Roman funerary art and architecture
Mosaico policromo con iscrizione di consecratio da una tomba dell'Isola Sacra
Mourning and the Making of Ancestors in the Testamentum Relief
| Citations per year | 0.21 |
|---|---|
| Citation span | 1988 - 2026 (39) |
| Highly cited | No |