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Rhetoric and Rhythm - Derrida, Nancy and the Poetics of Drawing

Bibliographic Data

ID5080009
AuthorsThomas Gould (corresponding author)
Year2021
Volume44
Issue2
Pages157-175
Publication date2021-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueParagraph (JOURNAL)
Journal identifiersISSN: 0264-8334 • E-ISSN: 1750-0176
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/para.2021.0363
OpenAlexW3041463832
LanguageEN
References cited3

Opening with a consideration of the distribution of the two graphic acts - drawing and writing - this article offers a comparative study of Jacques Derrida's and Jean-Luc Nancy's respective exhibitions and catalogue essays on the subject of drawing. Through a comparative examination of what I take to be their central theoretical contributions to the study of drawing - Derrida its 'rhetoric', Nancy its 'rhythm' - this article moves on to suggest how these concepts inform a theory of poetic lineation

Art · Art history · Exhibition · Linguistics · Literature · Poetics · Poetry · Rhetoric · Computer Science · French Literature and Critical Theory · French Literature and Poetry · Philosophy · Visual Culture and Art Theory

  • Eugene Delacroix's review of Le Dessin sans maître and the modernized discourse of drawing

    Joyce Bernstein Howell•Word & Image•2005

  • Overture

    Yves Bonnefoy, John T Naughton•Yale French Studies•1994

Citation velocityhistorical
Highly citedNo

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