Cinema was becoming more real
From the French New Wave to the Vertical Screen Aesthetics of Mobile Short Video
Bibliographic Data
| ID | 5083403 |
|---|---|
| Authors | R Miao (0000-0001-8515-2967, Shanghai Jiao Tong University, corresponding author) |
| Year | 2023 |
| Volume | 30 |
| Issue | 1 |
| Pages | e44854 |
| Publication date | 2023-10-11 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista FAMECOS (JOURNAL) |
| Journal identifiers | ISSN: 1415-0549 • E-ISSN: 1980-3729 |
| Publisher | Edipucrs (PUBLISHER • BR) |
| DOI | 10.15448/1980-3729.2023.1.44854 |
| OpenAlex | W4387541998 |
| Language | EN |
| References cited | 2 |
This study examines the historical legitimacy, aesthetic potential and limitations of the vertical screen image through two dimensions: cross media comparison of the New Wave of French cinema and the creative practice of thevertical screen image in the complex new media environment of today. This studyfollows the principle of unity between history and logic to explore in detail theinfluence and inspiration of the narrative aesthetics of French New Wave films on the creation of short videos in the vertical screen era, starting from the four dimensions of "telling" and "showing", as well as narrative time and narrative space. Through the media archaeology of film history, it is easy to find that many features of short video creation coincide with the creative concept advocated by the French New Wave
Aesthetics · Art · French New Wave · Legitimacy · Literature · Movie theater · Narrative · Political science · Politics · Sociology · Visual arts · Cinema and Media Studies · Computer Science · French Historical and Cultural Studies · Law · Visual Culture and Art Theory · Architecture
| Citation velocity | historical |
|---|---|
| Highly cited | No |